CAMERA1^



≙ CAMERA1^
Göttingen \| dgskorpus_goe_07 \| 18-30m We visited a deaf painter at his work and filmed him, interviewed him.
r	MOVIE3	TO-SIGN1G*	INTERVIEW3	CAMERA1^	DONE2*
l		TO-SIGN1G*	INTERVIEW3		DONE2*
m	film	[MG]	interview	[MG]
Göttingen \| dgskorpus_goe_07 \| 18-30m “Sehen statt Hören” was also there and was filming everything.
r	INSTEAD1*	TO-HEAR1	INVOLVED1A*	CAMERA1^
l	INSTEAD1*		INVOLVED1A*
m	…		dabei	[MG]
Köln (Cologne) \| dgskorpus_koe_05 \| 46-60f The Russians celebrated the astronauts for succeeding flying to the moon and back.
r		RUSSIA5	HOORAY1	CAMERA1^	$PROD	TO-ACCOMPLISH1C*	ROCKET1B*
l			HOORAY1		$PROD	TO-ACCOMPLISH1C*	ROCKET1B*
m		russen	[MG]
Köln (Cologne) \| dgskorpus_koe_05 \| 46-60f I then thought, “Ah well, I see: Hollywood; everything was just an act.”
r	TO-LOOK-AT3*	$INIT-STRAIGHT1^*	$GEST-OFF^	CAMERA1^	ACTOR1	$GEST-OFF^
l			$GEST-OFF^			$GEST-OFF^
m		hollywood			schauspieler
Münster \| dgskorpus_mst_12 \| 31-45m It's horrible that it was videotaped, but on the other hand it is good.
r	ATROCIOUS5*	CAMERA1^*	GOOD1*	CAMERA1^
l
m	grausam		gut
Göttingen \| dgskorpus_goe_07 \| 18-30m In the movie, she explains that she would’ve liked to come, but that it didn’t work out.
r				CAMERA1^*	OWN1B^*	TO-SHOW1A	$INDEX1
l						TO-SHOW1A
m					wirklich	zeigen
Göttingen \| dgskorpus_goe_07 \| 18-30m They watched movies about people who are affected, read lots of books until they fully understood what Usher’s syndrome means.
r	MORE1^*	AFFECTED2	MOVIE1*	CAMERA1^*	ACTIVE1*	PERCEPTION1^*	BOOK1B
l	MORE1^*				ACTIVE1*	PERCEPTION1^*	BOOK1B
m		betroffen	film		[MG]	info info info	buch
Göttingen \| dgskorpus_goe_08 \| 18-30f The thing with the helmet camera is interesting/
r			INTEREST1B	CAMERA1^*
l
m				helm
Köln (Cologne) \| dgskorpus_koe_01 \| 18-30f She works in Aachen now and produces movies for deaf people.
r	DEAF1A	TO-SPREAD2^	MOVIE1	CAMERA1^*	TO-ORGANISE2A*	$GEST-OFF^*
l		TO-SPREAD2^			TO-ORGANISE2A*
m	[MG]	[MG]	film		organis{ieren}
Köln (Cologne) \| dgskorpus_koe_05 \| 46-60f The astronaut steps out and was filmed from above.
r			TO-GET-OUT1B*	CAMERA1^*	TO-GET-OUT1B*
l			TO-GET-OUT1B*		TO-GET-OUT1B*	$INDEX1
m
Köln (Cologne) \| dgskorpus_koe_05 \| 46-60f The astronaut was filmed from above, but you would need a ladder to film from above.
r			SPIKY2A^*	CAMERA1^*	WHERE-FROM1*	TO-BRING-ALONG1*
l		$INDEX2	SPIKY2A^*			TO-BRING-ALONG1*
m			leiter		woher	mit
Köln (Cologne) \| dgskorpus_koe_05 \| 46-60f We entered the studio, and there really was a set with a rocket which showed the moon landing.
r	$PROD	SAME2A*	SHAPE1A*	CAMERA1^*	$GEST-OFF^
l	$PROD	SAME2A*	SHAPE1A*		$GEST-OFF^
m		selbe	form
Köln (Cologne) \| dgskorpus_koe_05 \| 46-60f The camera technology used to be blurry, so they were able to show everything, but with today's technology you would immediately get that it's fake.
r		PAST-OR-BACK-THEN1*	TECHNOLOGY1	CAMERA1^*	$GEST-OFF^*	VAGUE-$CANDIDATE-KOE10^	HIGH4B
l			TECHNOLOGY1		$GEST-OFF^*	VAGUE-$CANDIDATE-KOE10^	HIGH4B
m		früher	technik			[MG]	hoch
Münster \| dgskorpus_mst_12 \| 31-45m It's horrible that it was videotaped, but on the other hand it is good.
r			ATROCIOUS5*	CAMERA1^*	GOOD1*	CAMERA1^
l
m			grausam		gut
Stuttgart \| dgskorpus_stu_11 \| 46-60m A little later on, the second tower collapsed.
r	LATER5	$INDEX1	$PROD	CAMERA1^*
l	LATER5	$PROD	$PROD
m	[MG]
= CAMERA1
Göttingen \| dgskorpus_goe_07 \| 18-30m In order to do that, we had to first make a movie about ourselves.
r	BEFOREHAND4	MUST1	MOVIE1	CAMERA1	HUSUM1*	AREA1A
l
m	vorher	muss	film	[MG]	husum
Göttingen \| dgskorpus_goe_07 \| 18-30m There were people filming.
r				CAMERA1	BEEN1*
l					BEEN1*
m				film	gewesen
Göttingen \| dgskorpus_goe_07 \| 18-30m I saw a film crew from RTL [German private tv station], great.
r		$ALPHA1:R-T-L	TO-SPOT1	CAMERA1	IN-ADDITION-MORE-AND-MORE1	GREAT1A
l					IN-ADDITION-MORE-AND-MORE1
m		r-t-l	[MG]		[MG]	toll
Köln (Cologne) \| dgskorpus_koe_05 \| 46-60f Paparazzi chased them when they went into a tunnel.
r			$PROD	CAMERA1	TO-FOLLOW1B*
l			$PROD		TO-FOLLOW1B*
m				[MG]
Münster \| dgskorpus_mst_01 \| 46-60m The Japanese culture is very interesting. I taped many videos back then and now I have a lot of videotapes from that time.
r	I1	CAMERA1*	MUCH-OR-MANY1A	CAMERA1	WITH1A	I1	GOOD1
l
m		filme	viel	filme	aufgenommen		war gut
Münster \| dgskorpus_mst_13 \| 46-60f You only saw legs and feet, because it was filmed from the outside.
r	LEG1A*	CAMERA1*	OUTSIDE1*	CAMERA1
l
m		kamera	draußen
Münster \| dgskorpus_mst_13 \| 46-60f After that, the second one got out and was filmed from another perspective.
r	AFTERWARDS2A*	$LIST1:2of2d*	TO-COME2*	CAMERA1	MOVIE1*
l
m		zweitens		dann
Frankfurt \| dgskorpus_fra_02 \| 31-45m They also said that the sign GERMAN [DGS] should be abolished. The sign GERMANY-ASL would be the better version because it is clearly visible from the front.
r	GERMAN1*	$GEST-DECLINE1^	AMERICA1*	CAMERA1*	TO-SIGN1A*	TECHNOLOGY1	SUPER2
l		$GEST-DECLINE1^	AMERICA1*		TO-SIGN1A*	TECHNOLOGY1
m			amerika			technik
Frankfurt \| dgskorpus_fra_11 \| 18-30m Coincidentally my best friend had recorded videos of me showing new Lithuanian signs.
r	MAIN1A^	FRIEND7*	SELF1A*	CAMERA1*	TO-SIGN1G	LITHUANIA2	TO-SIGN1G*
l		FRIEND7*			TO-SIGN1G		TO-SIGN1G*
m	beste	freundin	selber			litauen
Frankfurt \| dgskorpus_fra_11 \| 18-30m She created similar translations and recorded a signed video for every word.
r	WORD1*	$INDEX1*	TO-SIGN1G*	CAMERA1*	ALSO3A*
l	WORD1*		TO-SIGN1G*
m					auch
Göttingen \| dgskorpus_goe_07 \| 18-30m We filmed all of that, edited it together and prepared it for the power point presentation at the informational booth.
r				CAMERA1*	DONE1A	THEN1A	TO-WORK1
l					DONE1A		TO-WORK1
m				[MG]		dann
Göttingen \| dgskorpus_goe_07 \| 18-30m After having prepared the movie and all the interviews, we went to Cologne.
r				CAMERA1*	INTERVIEW3	PREPARATION2*	OFTEN2A
l					INTERVIEW3	PREPARATION2*	OFTEN2A
m				film	interview	vorbereiten	[MG]
Göttingen \| dgskorpus_goe_08 \| 18-30f It interferes with the filming if you move around.
r				CAMERA1*	ORIENTATION1A^	DISRUPTION1A
l						DISRUPTION1A
m				film	[MG]	stört
Bremen \| dgskorpus_hb_04 \| 18-30f If you watch the footage of the assassination, one can see that he collapsed as a result.
r	I1	SHORT3A*	BEEN1*	CAMERA1*	WITH1A	CAMERA1*
l		SHORT3A*	BEEN1*
m	ich	kurz	gewesen	film	mit	[MG]
Bremen \| dgskorpus_hb_04 \| 18-30f If you watch the footage of the assassination, one can see that he collapsed as a result.
r	BEEN1*	CAMERA1*	WITH1A	CAMERA1*
l	BEEN1*
m	gewesen	film	mit	[MG]
Bremen \| dgskorpus_hb_04 \| 18-30f They also showed a film about the founding of the German Deaf Youth.
r	ALSO1A	HISTORY-OR-STORY9*	$NUM-ONE-TO-TEN1A:1d	CAMERA1*	WHAT1A*	SOURCE1A^*	BEGINNING1A
l		HISTORY-OR-STORY9*		CAMERA1*	WHAT1A*		BEGINNING1A
m	auch	geschichte	ein	film			anfang
Bremen \| dgskorpus_hb_04 \| 18-30f He directed and filmed it.
r	$INDEX1*	TO-ORGANISE2A	TO-LEAD1A*	CAMERA1*
l		TO-ORGANISE2A	TO-LEAD1A*	CAMERA1*
m			führung
Bremen \| dgskorpus_hb_04 \| 18-30f He can tell about it in front of the camera real quick.
r				CAMERA1*	CAN2B*	TO-SIGN1G*	CAN1
l					CAN2B*	TO-SIGN1G*
m					kann	unterhalten	kann
Bremen \| dgskorpus_hb_06 \| 31-45f For movies they make up a whole lot of stuff and add it to the story.
r	$INDEX1*	MOVIE1	IN-ADDITION1^*	CAMERA1*	AREA1A^*
l			IN-ADDITION1^*	CAMERA1*	AREA1A^*
m		film	[MG]
Hamburg \| dgskorpus_hh_05 \| 31-45m The people from the institute filmed me.
r				CAMERA1*	INTAKE1*	$INDEX1	INSTITUTE1
l					INTAKE1*		INSTITUTE1
m				aufnahme		am	institut
Köln (Cologne) \| dgskorpus_koe_01 \| 18-30f I got really excited and wanted to get it on camera.
r		I2	TO-WIND1^*	CAMERA1*	TO-WIND1^*
l			TO-WIND1^*	CAMERA1*	TO-WIND1^*
m		[MG]		film
Köln (Cologne) \| dgskorpus_koe_05 \| 46-60f The shadow falls on one side of the craft, and you see that something must be wrong, as the sun is on the other side opposite the shadow. Therefore, the shadow falls to the wrong side.
r	MORE1	$PROD	$INDEX1	CAMERA1*	VEIL1^
l		$PROD			VEIL1^	LIGHT1	SHADOW1
m	mehr						schatten
Köln (Cologne) \| dgskorpus_koe_05 \| 46-60f Where does the camera come from when the astronauts get out?
r	TO-GET-OUT1B*	WHERE-FROM1	HIGH3A	CAMERA1*	WHERE-FROM1*
l	TO-GET-OUT1B*
m	[MG]	woher	hoch	kame{ra}	woher
Köln (Cologne) \| dgskorpus_koe_05 \| 46-60f Who could have filmed from above how the astronaut is walking on the moon?
r			EQUAL8*	CAMERA1*	TO-HOP-LEG1A^*
l			EQUAL8*		TO-HOP-LEG1A^*
m			gleich{zeitig}	kamera
Köln (Cologne) \| dgskorpus_koe_05 \| 46-60f No one filmed at that moment.
r	NONE8	MOVIE3	HOTEL1*	CAMERA1*	DISSOLUTION1A^
l			HOTEL1*		DISSOLUTION1A^
m	[MG]	film	hotel		[MG]
Köln (Cologne) \| dgskorpus_koe_21 \| 61+m Then the camera pans to the cat.
r				CAMERA1*	$INDEX1	CAT3	$INDEX1*
l						CAT3
m
Münster \| dgskorpus_mst_01 \| 46-60m The Japanese culture is very interesting. I taped many videos back then and now I have a lot of videotapes from that time.
r	INTEREST1B	CULTURE1A*	I1	CAMERA1*	MUCH-OR-MANY1A	CAMERA1	WITH1A
l		CULTURE1A*
m	interessant	kultur		filme	viel	filme	aufgenommen
Münster \| dgskorpus_mst_13 \| 46-60f The surroundings were filmed until you finally could see more and more sequences.
r			THEN6*	CAMERA1*	THIS-AND-THAT2^
l					THIS-AND-THAT2^
m			danach	film
Münster \| dgskorpus_mst_13 \| 46-60f You only saw legs and feet, because it was filmed from the outside.
r			LEG1A*	CAMERA1*	OUTSIDE1*	CAMERA1
l
m				kamera	draußen
Münster \| dgskorpus_mst_13 \| 46-60f No, the camera had been there already, I think it was tied to the lunar module.
r			$GEST-NM-SHAKE-HEAD1^	CAMERA1*	ALREADY1A	PRESENT-OR-HERE1*	$PROD
l			$GEST-NM-SHAKE-HEAD1^		ALREADY1A	PRESENT-OR-HERE1*	$PROD
m			nein	kamera	schon	da	raumfähre
Münster \| dgskorpus_mst_13 \| 46-60f In the film, you see an American astronaut on the moon who can see the earth.
r			$INDEX1	CAMERA1*	MOVIE1	AMERICA1*	SERVICE-OR-DUTY5^
l						AMERICA1*
m				film	film	amerikanische	astronaut
Stuttgart \| dgskorpus_stu_06 \| 18-30f Everyone is going there together, you’d be all alone sitting here with the cameras, do you want that?
r	$NUM-ONE-TO-TEN1A:1d	TO-LET2A^*	$PROD	CAMERA1*	$PROD	TO-WANT8	YOU1*
l			$PROD		$PROD
m	eine	[MG]				will
Stuttgart \| dgskorpus_stu_11 \| 46-60m The cameraman fell down and filmed the collapse from under a car. He shot the oncoming white ash cloud from that perspective as well as its disappearance.
r	FLAT1A^*	$PROD		CAMERA1*	MAN1*	TO-LIE-OR-TO-LAY3^*	MOVIE3*
l	FLAT1A^*	$PROD	CAR1*
m			auto		mann		film
Stuttgart \| dgskorpus_stu_11 \| 46-60m Luckily, one of the brothers was able to go with the firefighters into the first tower and film everything.
r	UNDER1A^	MAN1	WITH1A	CAMERA1*	BROTHER1A*	MOVIE3*
l					BROTHER1A*
m	im	mann	mit		bruder	film
= MOVIE3
Berlin \| dgskorpus_ber_08 \| 46-60f This led to our collaboration.
r					INTAKE1	LATER7	TO-LINK1B
l				MOVIE3	INTAKE1	LATER7	TO-LINK1B
m				film	[MG]
Berlin \| dgskorpus_ber_11 \| 61+m But why is it necessary to be naked for the film? What is it for?
r	WHY3B*	NAKED1*	NAKED2	MOVIE3	FOR1*	WHAT1A
l	WHY3B*	NAKED1*	NAKED2			WHAT1A
m	warum	nackt		filmen	für	was
Göttingen \| dgskorpus_goe_07 \| 18-30m We visited a deaf painter at his work and filmed him, interviewed him.
r	I2	TO-VISIT-OR-TO-ATTEND1A*	DEAF1A*	MOVIE3	TO-SIGN1G*	INTERVIEW3	CAMERA1^
l		TO-VISIT-OR-TO-ATTEND1A*			TO-SIGN1G*	INTERVIEW3
m		besuch	[MG]	film	[MG]	interview	[MG]
Bremen \| dgskorpus_hb_04 \| 18-30f There's a film here.
r				MOVIE3	YES2	THROUGH2A	VIDEO1*
l							VIDEO1*
m				film	ja	durch	video
Bremen \| dgskorpus_hb_06 \| 31-45f That's the way it is in movies.
r				MOVIE3	$GEST-NM-NOD-HEAD1^*
l					$GEST-NM-NOD-HEAD1^*
m				film
Köln (Cologne) \| dgskorpus_koe_05 \| 46-60f No one filmed at that moment.
r		TO-AVOID2^*	NONE8	MOVIE3	HOTEL1*	CAMERA1*	DISSOLUTION1A^
l		TO-AVOID2^*			HOTEL1*		DISSOLUTION1A^
m			[MG]	film	hotel		[MG]
Münster \| dgskorpus_mst_06 \| 31-45m All the technology for videos/
r
l			MOVIE1	MOVIE3
m			film
Münster \| dgskorpus_mst_12 \| 31-45m When for instance the airplanes crashed into the towers in New York, there was a huge alarm, and people are extremely monitored since then.
r	ALERT1*	MUST1	SHARP1B	MOVIE3	INTAKE1*
l	ALERT1*		SHARP1B		INTAKE1*
m	alarm	muss	scharf	film	ab
Stuttgart \| dgskorpus_stu_11 \| 46-60m The camera was on the whole time.
r				MOVIE3
l					TO-RUN-MACHINE2*
m				film	läuft
Stuttgart \| dgskorpus_stu_11 \| 46-60m And everything was caught on tape.
r				MOVIE3
l
m				film
Berlin \| dgskorpus_ber_08 \| 46-60f And he asked me if he could film me since I was using Eastern sign language, which was different.
r					ALLOWED1*
l				MOVIE3*	ALLOWED1*	I1	OKAY1B*
m				film	darf		okay
Berlin \| dgskorpus_ber_11 \| 61+m No, no. They are filming us while we are talking. They are filming us. Oh, whatever.
r		$INDEX1	NO1B	MOVIE3*	$INDEX1	NO1B	MOVIE3*
l
m			nein			nein	filmen
Berlin \| dgskorpus_ber_11 \| 61+m No, no. They are filming us while we are talking. They are filming us. Oh, whatever.
r	MOVIE3*	$INDEX1	NO1B	MOVIE3*	$INDEX1	TO-SIGN1A	$INDEX1
l						TO-SIGN1A
m			nein	filmen		gebärden
Berlin \| dgskorpus_ber_11 \| 61+m No, no. They are filming us while we are talking. They are filming us. Oh, whatever.
r	$INDEX1	TO-SIGN1A	$INDEX1	MOVIE3*	$GEST-DECLINE1^
l		TO-SIGN1A			$GEST-DECLINE1^
m		gebärden		filmen
Berlin \| dgskorpus_ber_11 \| 61+m Would the film be boring otherwise, or what?
r				MOVIE3*	BOREDOM1*	$GEST-OFF^*
l
m				film	langweilig	oder was
Frankfurt \| dgskorpus_fra_01 \| 18-30m Many amateurs videotaped the flooding/
r		FELLOW1^			$PROD	$PROD	WATER8*
l	MUCH-OR-MANY1A	FELLOW1^	$INDEX1	MOVIE3*	$PROD	$PROD	WATER8*
m	viel	amateur		filmen		[MG]	wasser
Göttingen \| dgskorpus_goe_07 \| 18-30m The interview was recorded and then shown at the theater festival.
r		INTERVIEW3	DONE2*	MOVIE3*	THEN1A*	SOURCE-TO-EMANATE1^*
l		INTERVIEW3	DONE2*		THEN1A*	SOURCE-TO-EMANATE1^*
m		interview	fertig	film	dann	[MG]
Göttingen \| dgskorpus_goe_07 \| 18-30m Doesn’t matter, the director that made the movie back then came to the festival.
r	WOMAN1A*	$INDEX1*	DIRECTOR1	MOVIE3*	CAMERA5^	$INDEX1*	PERSON1
l			DIRECTOR1			$INDEX1*
m	frau		regisseur	film		[MG]
Göttingen \| dgskorpus_goe_07 \| 18-30m He immediately began to film me and I, drowsy as I was, just chuckled.
r					I1	FULL2A	INTOXICATED1*
l				MOVIE3*		FULL2A
m						voll	[MG]
Bremen \| dgskorpus_hb_04 \| 18-30f There were poetry performances by the kids, the film, theater, and dancing.
r	POETRY1*	CHILD2*	TO-SHOW1A*	MOVIE3*	THEATRE1	TO-DANCE2
l			TO-SHOW1A*		THEATRE1	TO-DANCE2
m	poesie	kinder	[MG]	film	theater	tanz
Bremen \| dgskorpus_hb_04 \| 18-30f Then the film.
r		$GEST^	MOVIE1		TO-BECKON1^*
l		$GEST^		MOVIE3*	TO-BECKON1^*
m		dann	film
Hamburg \| dgskorpus_hh_08 \| 46-60f The cameras are still running, right?
r
l				MOVIE3*	TO-RUN-MACHINE2	STILL4A*
m				film	läuft	[MG]
Köln (Cologne) \| dgskorpus_koe_01 \| 18-30f Anyway, we were driving and suddenly a kangaroo was jumping next to us. I searched frantically for my camera because I wanted to capture it.
r	TO-JUMP2^	CAR-DRIVING2	PROCEEDING2	MOVIE3*	TO-WIND1^*	$INDEX1	TO-ELOPE1A*
l		CAR-DRIVING2	PROCEEDING2		TO-WIND1^*		TO-ELOPE1A*
m	[MG]	[MG]		film			[MG]
Köln (Cologne) \| dgskorpus_koe_13 \| 61+m She only said that videos were recorded from above.
r					DONE1B
l				MOVIE3*	DONE1B
m				film film	[MG]
Schleswig-Holstein \| dgskorpus_sh_02 \| 18-30f There is enough space left for the waterfalls because of the collapse.
r	$INDEX1	BECAUSE-OF1	$INDEX1	MOVIE3*	$ALPHA2:W*	TO-DEMOLISH4*	STILL4B
l		BECAUSE-OF1			$ALPHA2:W*	TO-DEMOLISH4*
m				film		ab	noch
Stuttgart \| dgskorpus_stu_06 \| 18-30f Why don’t you try out the keyboards? Oh wait, we can’t do that, we’re being filmed.
r	TO-SIT2*	KEY-OR-BUTTON1^*	CAN1*	MOVIE3*	I2*
l
m				[MG]
Stuttgart \| dgskorpus_stu_11 \| 46-60m It was a documentary that had only come about because of a coincidence: two brothers wanted to make a film about a certain fire department.
r	TOGETHER3B	REAL2*	TO-WANT7*	MOVIE3*	OVER-OR-ABOUT1*	BLUE-LIGHTS2^
l						BLUE-LIGHTS2^	$GEST-OFF^*
m	…		will	film	über	feuerwehr
Stuttgart \| dgskorpus_stu_11 \| 46-60m They wanted to shoot a film in one of these fire departments. It really was coincidence.
r		$NUM-ONE-TO-TEN1A:1d*	GROUP1B*	MOVIE3*			$GEST-OFF^
l	THIS2		GROUP1B*	GROUP1B*	$GEST-OFF^*	GROUP1B*	$GEST-OFF^
m	[MG]	eins		film	zufall	film	[MG]
Stuttgart \| dgskorpus_stu_11 \| 46-60m The camera was also directed downward.
r				MOVIE3*
l
m				film
Stuttgart \| dgskorpus_stu_11 \| 46-60m Originally the documentary is two hours long and there are original scenes from the North and South Tower.
r	TOWER1*	WITH1A	IN1*	MOVIE3*
l	TOWER1*		IN1*
m	turm	mit	im	film film film
Stuttgart \| dgskorpus_stu_11 \| 46-60m The cameraman fell down and filmed the collapse from under a car. He shot the oncoming white ash cloud from that perspective as well as its disappearance.
r	CAMERA1*	MAN1*	TO-LIE-OR-TO-LAY3^*	MOVIE3*	$PROD		$PROD
l					$PROD	WHITE1A*	$PROD
m	…	mann		film	[MG]	weiß
Stuttgart \| dgskorpus_stu_11 \| 46-60m Luckily, one of the brothers was able to go with the firefighters into the first tower and film everything.
r	WITH1A	CAMERA1*	BROTHER1A*	MOVIE3*
l			BROTHER1A*
m	mit		bruder	film
= VIDEO2
Hamburg \| dgskorpus_hh_03 \| 46-60m So I immediately started doing some research and found a video.
r	TO-GIVE1	$INDEX1	$GEST-NM^	VIDEO2
l			$GEST-NM^		$INDEX1*
m	gibt		[MG]	video
Nürnberg (Nuremberg) \| dgskorpus_nue_02 \| 61+f There are videos, for instance, or the Sign Language Festival.
r				VIDEO2*	VIDEO1*	OR1*	$INDEX1
l					VIDEO1*	OR1*
m				video		oder

Report Mistakes